We live in the age of the mobile image. Today, more than ever before, we are surrounded by hybrid images of all kinds that circulate freely and mix with contemporary images. This incredible mobilization and proliferation of images forces us to rethink the basic structure and definition of the image itself—as something fundamentally kinetic. The advent of the digital image, defined by a continuous flow of electricity, forces us to see that the image is not and never has been a representation of a static model. Images have always had a material agency. Movement, and not representation, has always been central to the image, making possible a new materialist aesthetics. This book thus has made three main contributions to the philosophy of art and aesthetics.
THE KINETIC THEORY OF THE IMAGE
Its first contribution is to offer an original kinetic theory of the image. Traditionally, the image has been viewed as either objectively or subjectively derived from something else. A relatively static object, subject, or human structure was assumed as primary and the image was what moved in between them. Even when the image has not been treated explicitly as a representation, it has typically been thought of an expression or production of something else. Even contemporary theories of images as a copy of copies or copies without originals, still miss the point. The image is not a copy and there was never a model to have gone missing. In contrast to these previous theories, this book proposes a new definition of the image as a reflection, a duplication, or a fold in moving generative matters. All images are sensuous and all sensations are images. Images both sense and are sensed. The image is thus not something strictly visible. There are images of sight and sound, just as there are images of taste, smell, and touch. The image is also not unique to humans or to organic life.
The original contribution of part I, then, is to have provided a kinetic and materialist theory of the image defined by the flow, fold, and field of sensitive matters. As such, it reorients the central problem of aesthetics and art history, moving it away from the question of representation and anthropocentric constructivism, whether linguistic, social, psychological, or otherwise, and toward the distribution and analysis of regimes of moving images with their own material agency and generativity.
THE HISTORY OF THE IMAGE
The second contribution of this book is that it offers an original conceptual and historical methodology for the study of art and art history. If the study of the image is not a question of representation but, rather, of kinetic distribution, then we need to understand what kinds of distributions have been invented and to what degree and with what mixture they persist in the present. Part II of this book thus presented neither a universal ontology of affect nor a merely empirical history of works of art but, rather, a study of the kinesthetic patterns or historical regimes of aesthetic motion.
Unlike merely empirical art histories, kinesthetic regimes of motion prefigure, persist, and mix well beyond their initial empirical manifestation, making their analysis much more broadly applicable to the study of art, art history, and sensation widely construed. Thus, the kinetic method of this book makes no attempt at an ahistorical ontology of sensation, affect, or image; rather, it offers a regional ontology from the perspective of the early twenty-first century. Based on the apparent primacy of mobility revealed in the digital image, it proposes an answer to the simple question: What must images at least be like for them to be capable of this kind of motion? In doing so, it thus discovers a previously hidden dimension of all hitherto existing images: the primacy of their motion.
THE CONTEMPORARY IMAGE
The third major contribution of this book is its offer of an original theory of the digital image defined by its materiality and mobility. In contrast to the first wave of new-media scholarship that defined the digital image as largely immaterial and virtual, this book provides an analysis of the material and kinetic dimensions of the digital image and its conditions of circulation. While more recent new-media scholarship seems to be taking the material dimension of the digital image more seriously, this book adds to this literature a complete conceptual and analytic framework that connects the study of the digital image with the rest of art history and the structure of affection more broadly.
The electrical flow that defines the digital image is historically novel in some ways, but not in others. The digital image thus allows an incredible degree of hybrid mobile images, but in a more general sense, electrical flows also pervade all material images. The digital image is not just about hybridity and remediation; it is also about the creative pedesis and feedback of the electrical flow itself: its generative power. This includes both contemporary digital and historical nondigital generativity. The digital image thus presents the twenty-first century with an incredible aesthetic decision: how and to what degree to treat the digital image as an instrumental tool for merely replicating images or as a means for releasing a more generative flow in all matters, thus generating completely new images.
This book looks absolutely essential. My only resource on this important term for the last decade has been Emmanuel Laroche, Histoire de la racine nem- en grec ancien (nemō, nemesis, nomos, nomizō) (1949).
Delves into the history of the ancient Greek word nomos (and related words) to reveal the interdisciplinary depth of this term beyond its later meaning of ‘law’ or ‘law-making’
This is a highly original, interdisciplinary study of the archaic Greek word nomos and its family of words. Thanos Zartaloudis draws out the richness of this fundamental term by exploring its many uses over the centuries.
The Birth of Nomos includes extracts from a wide range of ancient sources, in both the original and English translation, including material from legal history, philosophy, philology, linguistics, ancient history, poetry, archaeology, ancient musicology and anthropology. Through a thorough analysis of these extracts, we gain a new understanding of nomos and its foundational place in the Western legal tradition.
Assembles a genealogical history of the ancient Greek work nomos, showing how it contains a richness that is not reflected in its classical and modern usage as simply ‘law’ or ‘law-making’
Draws on works by ancient Greek philosophers, poets and tragedians including Homer, Hesiod, Alcman, Pindar, Archilochos, Theognis, Heraclitus, Aeschylus, Sophocles, Euripides and Plato
Includes extracts from ancient primary sources, in both the original and in English translation, to analyse how nomos has been used in the literary evidence and in context
Considers how nomos has been used by contemporary philosophers, including Agamben, Foucault, Heidegger, Schmitt, Deleuze and Axelos, and re-examines their interpretations
Curiosity, Criticality and Materiality
In this chapter Mark B. Salter, current editor of Security Dialogue, discusses with Can E. Mutlu the meaning and significance of technology for International Relations in light of his eclectic work. Salter, perhaps best-known for his dynamic presentations and engaging intellectual approach and recently for the two-volume project Making Things International, traces his engagement with technology across a vast field of contributions ranging from civilization in international politics, the genealogy of the modern passport, and critical security studies, touching on Foucauldian and Bourdieusian notions. In the conversation, Salter reflects on the recent material turn in IR and the expansion of this as a significant research area within critical consciousness in IR, with more and more people working on materiality, science and technology studies, actor-network theory. He points to the importance of remembering that we are not the first generation to experience this kind of epochal change, and that emancipatory change happens through engagement, and how technology is shaping the encounter with the Other—reminding us that scholarship can and should start with curiosity and intuition.
Theory Is Technology; Technology Is Theory
New technology is undoubtedly changing world politics. But does this necessarily require new theories? In this interview, we explore the challenges facing a (political) theory of technology and how to understand the novelty of technologies such as Big Data. Ole Wæver recounts his early interest in technology and how theorizing technology demands that we look at different kinds of acts. Some of the main challenges include unintended effects and the assessment of decisions made within complex systems. We go back to Langdon Winner’s early work on the political character of technology, and discuss why his ideas might be more valuable than concepts often subsumed under the heading of ‘New Materialism’.
Commentary: Belonging and Belongings: On Migrant and Nomadic Heritages in and for the Anthropocene
Rodney Harrison, Staffan Appelgren, and Anna Bohlin
As the introduction to this timely volume notes, there has for some time been a significant gap in the field of migration studies in relation to understandings of how the experience of forced and undocumented migration mobilizes and sets in motion different forms of material culture, and related questions of how archaeologists, anthropologists, museums, and herit- age institutions can reflect upon and engage with such processes (but see, e.g. Bender 2001; Bender and Winer 2001; Byrne 2003; Basu and Coleman 2008; Dudley 2011; Soto 2016).
The New Novelty: Corralation as Quarantine in Speculative Realism and New Materialism
The foundational gesture of New Materialism and Speculative Realism dismisses vast swaths of past philosophy and theory in order to signify their own avant-garde status. The violence of this gesture, which tries to corral difference within past texts in order to feign its own purity, can be considered as a theoretical quarantine. Examples of medical and spiritual quarantine, the 2014 ebola epidemic and Jesus’ temptation, are analyzed to show that the figure is inherently compromised – the harder one fights to keep the other away, the more one becomes inseparable from it. Derrida’s reflections on the reactions against deconstruction show that this desire for progress is always inherently conservative; Meillassoux and Jane Bennett are considered as contemporary examples. A deconstruction of corralation and the academico-capitalist forces driving these ‘innovations’ might open us to reading the never-simply-past text, and to the possibility of the event.
Materialities and historical geographies: An introduction
M Greedharry, M Yeo, R Fillion, B Buchanan…
… focused on the limits of human knowledge and challenged universal truth
claims, in recent years, several theoretical approaches, which appeared
separately, have sought to re-examine the enduring importance of matter …
Life in Common: Distributive Ecological Justice on a Shared Earth
“This book explores the emerging field of political geology, an area of study dedicated to understanding the cross-sections between geology and politics. It considers how geological forces such as earthquakes, volcanoes, and unstable ground are political forces and how political forces have an impact on the earth. Together the authors seek to understand how the geos has been known, spoken for, captured, controlled and represented while creating the active underlying strata for producing worlds.
This comprehensive collection covers a variety of interdisciplinary topics including the history of the geological sciences, non-Western theories of geology, the origin of the earth, and the relationship between humans and nature. It includes chapters that re-think the earth’s ‘geostory’ as well as case studies on the politics of earthquakes in Mexico city, shamans on an Indonesian volcano, geologists at Oxford, and eroding islands in Japan. In each case political geology is attentive to the encounters between political projects and the generative geological materials that are enlisted and often slip, liquefy or erode away. This book will be of great interest to scholars and practitioners across the political and geographical sciences, as well as to philosophers of science, anthropologists and sociologists more broadly.”
This looks like a great collection!
Table of Contents
Political Geology: An Introduction
Adam Bobbette, Amy Donovan
Political Geologies of Knowledge
Genealogies of Geomorphological Techniques
Baroque Soil: Mexico City in the Aftermath
Geo-Metrics and Geo-Politics: Controversies in Estimating European Shale Gas Resources
Kärg Kama, Magdalena Kuchler
From Becoming-Geology to Geology-Becoming: Hashima as Geopolitics
Amodern Political Geologies
Cosmological Reason on a Volcano
Against ‘Terrenism’: Léopold Sédar Senghor, Pierre Teilhard de Chardin and the Fear of a De-spiritualised Earth
How the Earth Remembers and Forgets
Political Geologies of the Future
Attention in the Anthropocene: On the Spiritual Exercises of Any Future Science
Political Geologies of Magma
Politics of the Lively Geos: Volcanism and Geomancy in Korea
Encountering the Earth: Political Geological Futures?
Adam Bobbette, Amy Donovan
This looks like an interesting new edited issue of Theory, Culture, and Society on New Materialism. Right now only the introduction to the collection is online and the rest of the collection is soon to follow. (Behind a paywall, see the link below to SAGE).
Questioning New Materialisms: An Introduction
First Published October 29, 2018 Research Article
New materialists have challenged our thinking about matter in important and meaningful ways. Building a critique of the work of Diana Coole, Samantha Frost, and Jane Bennett, this article introduces a special section which challenges the direction of their work in a constructive manner. We provide a four-fold critical appraisal here: of the historical, posthumanist, technological and emancipatory facets of the new materialisms. Our central claim is that the new materialisms are plural and that they need to be understood in a wider sense than is claimed in much of the literature. This article addresses the question: to what extent can a pluralism of new materialisms be compatible with the radical and emancipatory agenda of its founding theorists? Our answer is that it is not only possible to achieve such radical emancipation, but also necessary to address these concerns.
Oxman’s design takes seriously the ecology and movement of matter.
Designer and architect Neri Oxman is leading the search for ways in which digital fabrication technologies can interact with the biological world. Working at the intersection of computational design, additive manufacturing, materials engineering and synthetic biology, her lab is pioneering a new age of symbiosis between microorganisms, our bodies, our products and even our buildings.