The work aims to diagram the conjunctive power of planetary-scale computation, commodification, and climate change, and begins with the following voice-over:
“Dispersed across the surface of Earth, computer clusters electronically hum in vast air-conditioned rooms.
One models sea level rises, precipitation rates, temperature increases, and property values in coastal metropolises
over the coming thousand years. Another runs simulations of various military strategies designed to respond to
the ensemble of armed insurgencies and mass migrations that are predicted to accompany expanding droughts
and crop failures. This cluster runs affect recognition algorithms on videos streamed from malls, schools, bridges,
beaches, cafes, prisons, subway cars, and stadiums in order to forecast the spatial distribution of criminal activity
in a bustling financial district. That cluster hosts a seemingly endless grid of lush virtual gardens that users
digitally water by periodically tapping on their phones while commuting to work. These clusters compete with one
another to mine cryptocurrencies while quantitatively speculating in weather derivatives markets. All of this silicone
only senses, analyzes, and simulates the planet in order to grow as a more total power over it.”
Over the duration of the ~30 minute project, a détourned montage of YouTube videos including data visualizations, drone recordings, defense industry promotions, corporate advertisements, news reports, Silicon Valley product demonstrations, protest documentary, and machine learning research is swiped through in order to visually survey the technical, political, and aesthetic dimensions that compose our disastrous present. Voice-over narration is algorithmically performed by the synthetic voices of Google’s WaveNet deep neural network, and a soundtrack is streamed on an Amazon Alexa.
Inspired and informed by diverse revolts, militant research, and contemporary anarchist and communist thought, the project aims to explicate the entangled operations of climate, capitalism, and control as well as to speculatively propose methods of bringing about their eventual undoing. In addition to its formalization as a video essay, “Climate, Capitalism, Control”
is also presented
as a standalone
text which can be r
ead as well as downloaded
as a pdf here: https://www.ianalanpaul.com/climate-capitalism-control-text/
Following its online release, I will also be organizing exhibitions and screenings of the work in the year ahead. Please don’t hesitate to let me know if you are interested in showing “Climate, Capitalism, Control” or if you know of potential events, venues, or curators that you think I should reach out to. Thank you for taking the time to read this far, and I hope that you find the project meaningful and worthwhile.
All of the best,
~Ian Alan Paul
Interview with Vicki Kirby
First Published September 7, 2019
Theory, Culture & Society
CG animation of amazing zoom to macro view to the “quantum world”, shown on an approximate scale of the reality of physics.
(Thanks to Chris Gamble for this one)
(Thanks to Chris Gamble for this find)
Hiram Crespo has written a nice series of blog posts reviewing Lucretius I at societyofepicurus.com. They were written last year (2018) and I am happy to have found them. He highlights some nice connections to Epicurus.
You can read the review posts here.
multiverse from Hiroshi Kondo / STNW on Vimeo.