Download Gilles Deleuze, “Kant: Synthesis and Time,” March-April 1978

Deleuze

In Gilles Deleuze, From A to Z, Deleuze describes his motivation for working on a philosopher with whom he had little in common: first, for Deleuze, Kant’s writing constituted such a turning point in numerous ways, and, second, he initiated something in philosophy that had never been advanced previously. Specifically, says Deleuze, he erected a tribunal of reason, things being judged as a function of a tribunal of reason. To do so, he invents a prodigious method called the critical method, the properly Kantian method. Deleuze admits finding all of this aspect of Kant quite horrible, but it’s both fascination and horror because, for Deleuze, this is so ingenious. For Kant created an astonishing reversal of concepts: rather than time being derived from movement, Kant reverses the subordination, with movement henceforth depending on time, and thus, time ceasing to be circular and becoming a straight line. And late in his life, Kant introduces his conception of the Sublime, in which the faculties enter into conflicts, having discordant accords, then reconciling, but no longer being subject to a tribunal. For Deleuze, then, Kant is clearly a great philosopher, with a whole undergirding in his works that makes Deleuze quite enthusiastic, on top of which is a system of judgment that Deleuze says he would like to do away with, but without standing in judgment.

 

Deleuze, “Kant: Synthesis and Time”

Motion in Classical Literature: Homer, Parmenides, Sophocles, Ovid, Seneca by G. O. Hutchinson (OUP, 2020)

“Classical literature is full of humans, gods, and animals in impressive motion. The specific features of this motion are expressive; it is closely intertwined with decisions, emotions, and character. However, although the importance of space has recently been realized with the advent of the ‘spatial turn’ in the humanities, motion has yet to receive such attention, for all its prominence in literature and its interest to ancient philosophy. 

This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction. Seven works are then used as case-studies: Homer’s Iliad, Ovid’s Metamorphoses, Tacitus’ Annals, Sophocles’ Philoctetes and Oedipus at Colonus, Parmenides’ On Nature, and Seneca’s Natural Questions. The two narrative poems diverge rewardingly, as do the philosophical poetry and prose. Important in the philosophical poem and the prose history are metaphorical motion and the absence of motion; the dramas scrutinize motion verbally and visually. 

Each study first pursues the general roles of motion in the particular work and provides detail on its language of motion. It then engages in close analysis of particular passages, to show how much emerges when motion is scrutinized. Among the aspects which emerge as important are speed, scale, and shape of movement; motion and fixity; the movement of one person and a group; motion willed and imposed; motion in images and in unrealized possibilities. The conclusion looks at these aspects across the works, and at differences of genre and period. This new and stimulating approach opens up extensive areas for interpretation; it can also be productively applied to the literature of successive eras.” 

Oxford University Press Link

Why read Lucretius when you can read Epicurus and Homer? Here’s why.

 

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Here is a short introduction to my Lucretius book project I wrote for Book Launch Magazine…

Every great historical epoch returns to Lucretius like bees returning to their flower fields in search of nourishment. I first returned to Lucretius in 2014, when I taught Book II of De Rerum Natura for a class on the philosophy of movement. I added Lucretius to the syllabus because he was an overlooked figure in the history of philosophy who wrote about motion. I was excited about the text, but I was also skeptical that anyone who believed in ‘eternal unchanging atoms’ could have motion as their philosophical starting point. What I encountered, however, absolutely shocked me.

There were no atoms. I scoured the whole Latin text. Lucretius never used the word ‘atom’ or a Latinised version of this word—not even once. Translators added the word ‘atom’. Just as shockingly, I could not find the great isolated swerve in the rain of atoms, for which he is so well known. In Book II, Lucretius says instead that matter is always ‘in the habit of swerving’ [declinare soler- ent] and if it were not [nisi], ‘all would fall like raindrops’ [caderent]. The solitary swerve and the rain of matter are counterfactual claims. Lucretius never said there was a rain and then one atom swerved. He says that matter is in the ‘habit’ [solerent] of swerving, meaning that swerving happens regularly. This, he says, is the only way to avoid the problem of assuming that something comes from nothing: matter must have always been swerving.

This small but significant discrepancy made me wonder what else had been left out of translations and interpretations. Could it be possible that there was a whole hidden Lucretius buried beneath the paving stones of Greek atomism? If there are no solid atoms and no solitary swerve in Lucretius, can we still make sense of the rest of the book? In 2016 I decided to find out. I dedicated a whole seminar just to Book I of De Rerum Natura read in Latin. To my delight, a whole new view on this foundational text emerged that year. I published the results of this study in 2018 as Lucretius I: An Ontology of Motion.

…read the rest here

What is the Philosophy of Movement? IV

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This is a short excerpt on the philosophy of movement from a recent interview I did with Nico Buitendag for Undisciplined Podcast.

Nico Buitendag: When we first begin to look at the world through motion, what are some of the first things that were previously obscured that suddenly—at least then for you when you started this project—what were some of the things that quickly sprang up for the first time that became very obvious to you that you didn’t expect?

Thomas Nail: To qualify very quickly: It’s not like nobody’s ever talked about motion. Everybody has talked about motion. There’s not a philosopher or theorist, or anybody who hasn’t said something about motion. The difference is whether motion is ontologically primary, whether that’s the starting point of analysis or whether that’s a secondary, or derivative feature. In my view, almost everybody in the history of Western thought at least has treated motion as a secondary thing: something that happens to what is already primary, some substance, or eternal form, or vital force, or temporal a priori or whatever.

But to answer your question, some of the first things that I found to be very shocking when I started looking at this was that: 1) Movement was a subordinated term, but also movement was actually the primary ordering structure of things. Matter is moving around, and that all these other things get built on top of it. And so the interesting question to me—which it’s taken me a lot of years trying to get the answer to it—is if being really is in motion, then how could we have missed this for so long?

What are the techniques and tools…how do we perpetuate other perspectives that cover over that movement? What are the techniques of explanation that obscure the movement of matter and convince us that it’s not actually important or primary? And that has all kinds of answers in aesthetics, in politics, in ontology, and so on.

One of the answers, with respect to ontology, actually has to do with the material techniques of doing ontology, of writing. We don’t know what anybody thought. We always say “so and so thought this,” “so and so thought that,” but we don’t have access to anybody’s thoughts. What we have access to are the residues of historical practices, material cultures, and writings and texts, and all kinds of stuff, but we don’t actually have access to the thoughts of dead people, of what people have thought in history.

So the challenge, at least in Being and Motion, was to go back and say “what are the material techniques?” For example writing, books, printing press, typewriters—what are the material techniques, and what’s their structure of motion? What is the form of motion that covers over the fact that they’re using a material motion in order to generate some thought of the ideal, of the abstract, of the universal, of time, of space? What are they really doing? So there’s a kind of media archaeology that goes along with that from a materialist perspective.

And the second thing I saw, and this is maybe the major thing I found I suppose, are these patterns. Kinetic systems are systems of motion, patterns of motion. These are centripetal, centrifugal, tensional, and elastic. These are major patterns of motion in physics. Obviously, there are subtypes, combinations, and hybrids, but these are the four kinds of patterns that are going on in each of these different historical periods, and these patterns take on a kind of dominance in each period. All of them are always happening, but in some time periods, one of them really takes hold and becomes a guiding structure, and that happens across disciplines. It doesn’t have to do with just politics or ontology, it’s historical. It’s really the way that matter moved and circulated in a given time. So to me, those four types of motion were really important discoveries, and I’m very curious to see how people will respond to those. It’s an empirical kind of argument so I’m open to being wrong about those patterns, but it was quite a discovery. 

The Philosophy of Movement at a Glance

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As more books of mine come out people have been asking me how they all fit together. I have been meaning to create a single table showing my philosophy of movement and how all the books fit together, so here it is, or at least how I have been imagining it so far.

So far there are three series of books. The first series covers the traditional core domains of philosophy (politics, ontology, aesthetics, science, and nature). The second traces the intellectual genealogy of three figures who have made motion primary in their work. These first two series are basically done and are either published already or on their way toward publication. The last book left to write is Lucretius III. The third series is what I am working on now. It is written for a wider audience and is intended to share some of the key findings from my academic books.

The patterns of motion have different names in each domain and are associated with a historical period.

It’s an open project so there are more series to come. I am open to adding new theorists of motion and have some leads but nothing solid yet. I have been teaching a class called, “The philosophy of movement” to find new theorists, but none of the thinkers I thought would make motion primary actually did. Its been a fascinating journey. At this point, I am feeling that “philosophy” might be the least likely area to find people taking motion seriously.

 

 

 

 

Understanding the Coronavirus Pandemic with Foucault? by Philipp Sarasin

Here is a section from one of the best theoretical analyses I have read on the coronavirus so far. Read the full article here.

4. SOME CONCLUSIONS WITH REGARD TO CORONA

It is clear that Foucault did not speak of real pandemics but that he used infectious diseases as models of thought in order to organize forms of power according to ideal-typical patterns. We are in a different situation: we live in the midst of a pandemic and are subject to, or observe through the media, different modes of appearance of power and government. So what can the three models that Foucault developed teach us?

First: There are transitions and overlaps between the different forms. The complete lockdown of Wuhan rigorously follows the plague model, and every curfew ultimately does so, too. The models show that curfews are necessary when that statistical knowledge cannot be gained that makes possible the liberal smallpox model.

Only when systematic tests supply massive amounts of data about infected and non-infected people, like for example in South Korea or Singapore, is it possible for governments to restrict themselves to isolating the infected and recommend caution for the rest of the population, without however having to impose a lockdown. It is possible to say this without irony or malice: that public life goes on and the economy continues to function in South Korea or Singapore is precisely the liberal promise of the smallpox model.

Second: the plague model remains a threat, even a danger. This includes, for instance, that in Morocco the corona-related curfew is imposed with tanks in the streets and harsh military measures, that in Israel prominent voices warn of a “coup” executed by Netanyahu under the pretext of the fight against Covid-19, that Victor Orbán in Hungary is planning a transition to government by decree, or that in the United States Attorney General Barr is seeking permission to hold prisoners indefinitely without trial. But it also includes that the storage and evaluation of movement data of everyone carrying a mobile phone is unlikely to easily be relegated to a purely technical possibility after this crisis. The liberal smallpox model fundamentally and always requires that the power of the state be monitored with suspicion.

Third: The smallpox model of power describes, more or less but nevertheless fairly accurately, the form of government in times of a pandemic that the European governments adopt, despite all differences and many national egotisms. The strategy to #flattenthecurve means to reckon with the pathogen and to know that it cannot be eradicated, but to “extend” its distribution over time in such a way that the health system can handle it. And the strategy of prohibiting gatherings of several people does not amount to discipline—for what purpose?—but rather is something like a narrow but well-justified and understandable framework the state sets for individual behavior. In general, the call to observe rules of “social distancing” belongs without doubt in the sphere of liberal techniques of government, which are fundamentally based on individual freedom and must respect this freedom. To take care of oneself, to protect oneself, but also, as can widely be observed at the moment, to find forms of neighborly or solidary organization are techniques of the self that fill the liberal contours of the smallpox model with the concrete material of social self-organization.

Fourth: … but the leprosy model is lurking in the background. It emerges in the idea that appears here and there that one should let old people die “to save the economy”—or it becomes factual reality when retirement and nursing homes are abandoned and their inmates die locked up and alone, as is reportedly the case in Spain.

Postscript on techniques of the self

In his lectures on the history of governmentality in which he developed the smallpox model and spoke at length about neoliberalism, Foucault did not use the concept of techniques of the self. Even if there is an internal connection between his quite positive evaluation of (neo-)liberalism and his concept of techniques of the self, which he examined in the 1980s by using the example of antiquity, it is by no means the case that Foucault regarded techniques of the self as a form of power wrapped in the cover of liberality, as is often asserted today (indeed, he explicitly rejected precisely this interpretation in his lectures). The opposite is the case: the “relationship of self to self” and thus the possibility to conduct oneself in a particular way that is, precisely, notdetermined by power was, for him, the basis of the subject’s freedom. Consequently, as Foucault said in 1982 in his lecture, “there is no first or final point of resistance to political power other than in the relationship one has to oneself.”[14] Today he might add: and resistance to the virus. Or simply: take care.

This essay was first published in German in Geschichte der Gegenwart and has been translated for the foucaultblog by Verena Erlenbusch-Anderson.

3 pandemic predictions from Lucretius How being afraid of death is making some people less ethical

3 pandemic predictions Lucretius

3 pandemic predictions from Lucretius

How being afraid of death is making some people less ethical

The global spread of the coronavirus has forced us to confront our own mortality, and fears about illness and death weigh heavily on the minds of many.

But there’s a risk that fear for our own life will outweigh fear for the collective to the extent that, however unwittingly, we start to act in a way that causes harm to the collective – the global phenomenon of panic-buying is an obvious example.

As early as the first century BC, Roman philosopher Lucretius predicted that humanity’s fear of death could drive us to irrational beliefs and actions that would harm society. And as COVID-19 sweeps across the globe, three of his key predictions are coming true.

Prediction one: being afraid of death corrupts our subjective experience of life.

Lucretius made the case that people aren’t afraid of death unless there’s an immediate danger of dying; it’s when illness or danger strike that we get scared and strive to understand what comes after death.

The goal then becomes alleviating these fears. Some people do so by imagining that they have immaterial souls that shed their bodies or that there is a benevolent God, Lucretius writes. Others might imagine an eternal afterlife, or an immortal soul that is more important than the body and the material world.

But such beliefs carry an ethical danger that people may become preoccupied with something that literally does not matter at all. This fear and anxiety, Lucretius says, stains everything in life. It ‘leaves no pleasure clear and pure’ and it could even lead to ‘a great hatred of life’.

The question of the existence of God aside, the scientific evidence does suggest that anxiety about death isn’t good for us; studies show that this type of worrying can lower a person’s immune system and make it more vulnerable to infections(which, needless to say, is not ideal during a pandemic).

Prediction two: being afraid of death deepens social divisions and puts certain groups at greater risk.

In addition to staining one’s own experience of life, Lucretius predicted that the fear of death could escalate social divisions, because when people are afraid of dying they might think that withdrawing from others will help keep danger, disease and death away.

And while Lucretius wouldn’t have been opposed to social distancing if everyone was able to do it, this isn’t what’s actually happening around the world. Due to many factors, the gig economy being a notable one in the bunch, the sad reality is that the wealthy are able to distance themselves while the poor are being made increasingly vulnerable to death.

This phenomenon is well-documented in terror management studies; the fear of death results in a desire to escape, at the expense of disadvantaged groups. In China for example, rural migrant workers were blocked from quarantined cities, kicked out of apartments and turned away by factory owners, as authorities tried to control the spread of the coronavirus.

In the US, poorer workers do not have the luxury to work from home when schools close, and cannot afford to take sick days or see a doctor, which makes them more vulnerable than those who can afford to isolate themselves.

There is evidence of increased social divisions on the basis of race as well as class; Asian Americans are experiencing increased discrimination, with even schoolchildren becoming the targets of racist comments, and fewer people are going to Chinese restaurants out of fear of being infected.

Prediction three: being afraid of death inspires some people to accumulate wealth or political power at the expense of the community.

Lucretius predicted that some people will take advantage of social crises like plagues and wars to try and gain political power to secure a legacy for themselves after death. He wrote that this ‘blind burning after elected office coerces wretched people to go beyond the boundaries of what is right’ by sacrificing the good of the people for political position.

As well as political power, Lucretius warned that those who fear death may also think they can extend or preserve their life by ‘rising to the level of the greatest wealth’. Although, of course, the belief that the accumulation of power and wealth will secure their life is false.

You can look to President Trump as a manifestation of this prediction. By downplaying the spread of the coronavirus in America, Trump protected his electoral campaign as well as the US stock market (and by extension, his own wealth). In doing so, he placed political position and wealth above public health—just as Lucretius predicted.

There are politicians who learned about the virus early on and sold their stock while downplaying the danger to Americans. Now corporations are seeking tax-payer bailouts for economic damages related to the impact of the virus in what Naomi Klein is calling ‘Coronavirus Capitalism’.  

Advice from Lucretius on how to avoid these predictions:

According to Lucretius, being afraid of dying is irrational because once people die they will not be sad, judged by gods, or pity their family; they will not be anything at all. ‘Death is nothing to us’ he says.

Now, not fearing death is easier said than done. That is why, for Lucretius, it is the most important ethical challenge of our life. Instead of worrying about what may happen after death, Lucretius advises people to focus on keeping their bodies healthy and helping others do the same.

We need courageous caring, not fear.

 You can find out more about Lucretius’ ethics in Lucretius II: An Ethics of Motion by Thomas Nail, published this month by Edinburgh University Press.

Published here at The Institute of Art and Ideas

 

Gendered Ecologies New Materialist Interpretations of Women Writers in the Long Nineteenth Century (Clemson University Press, 2020) Edited by Dewey W. Hall and Jillmarie Murphy

This looks like a great collection. Unfortunately, its only in $120 hardback right now.

Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century considers the value of interrelationships that exist among human, nonhuman species, and inanimate objects as part of the environment, and features observations by women writers as recorded in nature diaries, poetry, bildungsroman, sensational fiction, philosophical fiction, and folklore. In addition, the edition aims to present a case for transnational women writers who have been involved in participating in the discourse of natural philosophy from the late eighteenth through the early twentieth centuries. The collection engages with current paradigms of thought influencing the field of ecocriticism and, more specifically, ecofeminism. Various theories are featured, informing interpretation of literary and non-literary material, which include Anthropocene feminism, feminist geography, neo-materialism, object-oriented ontology, panarchy, and trans-corporeality. In particular, neo-materialism and trans-corporeality are guiding principles of the collection, providing theoretical coherence. Neo-materialism becomes a means by which to examine literary and non-literary content by women writers with attention to the materiality of objects as the aim of inquiry. Regarding trans-corporeality, contributors provide evidence of the interrelations between the body-as-matter and animate beings along with inanimate entities. Together, neo-materialism and trans-corporeality drive the edition, as contributors contemplate the significance of interactions among human, nonhuman, organic, and inanimate objects.

  • Seeks to reconsider ecofeminism as a discursive field that is rooted in ecology as derived from natural history and natural philosophy by emphasizing the materiality of nature, which has been anthropomorphized as well as organized through ecosystems and biomes as part of the biosphere

  • Seeks to move beyond the binaries, perhaps false dichotomies, by delving into the intersections, interstices (i.e., intervening space, OED), and cross-currents.

  • Features essays that theorize about the term ecofeminism along a different set of lines involving the transhistorical, transatlantic, and especially trans-corporeal – a term coined by Stacy Alaimo

  • Aims to focus on the significance of matter often entangled in a network of relationships – whether human-to-human, human-to-nonhuman, human-to-inanimate objects, etc. – inter- and intra-relating to each other, even at a quantum level

  • Examines the contributions of nineteenth-century women writers observing, studying, and reasoning about the value of matter – the interrelatedness between subjects and objects – as recorded in their literary and non-literary discourses