Kinopolitics: Borders in Motion

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We live in an age of movement. More than at any other time in history, people and things move longer distances, more frequently, and faster than ever before. We live in an age of world historical global migration, increas- ingly rapid climatic changes, of high-speed digital images, of accelerating universes and accelerated particles. All that was solid melted into air long ago and is now in full circulation around the world like dandelion seeds adrift on turbulent winds. We find ourselves, at the turn of the twenty-first century, in a world where every major domain of activity, from nature and society to the arts and sciences, has become increasingly defined by patterns of motion that precede and exceed human agency.

We can no longer continue on with the same old theoretical tools under these circumstances. We need a new theoretical humanities that no longer starts and ends with humans and human systems (language, society, culture, the unconscious, and so on). Today, more than ever before, it is apparent that humans and their systems are not the only agents on this planet. Humans and their social structures are shot through and exceeded by more primary and constitutive material-kinetic processes and patterns. Humans are thus caught up in much larger meta-stable patterns of motion with their own kind of logic, yet to be systematically studied across the disciplines. Matters both living and nonliving (geological, geographical, climatological, microbiological, technological, and so on) are not merely passive objects of human construction. Humans and nonhuman beings are two dimensions or regions of the same systems of collective interactional agency or patterns of motion.

Studying these patterns does not mean, however, that we should abandon the study of human agency and structures. Far from it. The challenge of what is now being called ‘posthumanism’ or ‘new materialism’, of which I see my work as a part, is to provide a new theoretical framework to help us think through the entangled continuity of human and nonhuman agencies that now confront us. The natural sciences, typically charged with the study of non- human structures, have largely treated these structures as independent objects of subjective knowledge, without attending to the active role their objects of study have played in the shaping of scientific knowledge itself.2 The sciences, just as much as the humanities, therefore require a new theoretical foundation that takes seriously the collective agency of humans and nonhuman systems as dimensions of something else—of what I call ‘kinetic systems’. The anthropocentric project has come to an end.3 We have crossed the threshold of a new Copernican revolution. Now is the time to put forward new ideas, such as a theory of kinetic systems.

The contribution of my chapter to this larger project is to show some of the political consequences of posthumanist kinetic systems with the aim of avoiding ‘inhumanism’.4 In the hopes of bringing the theoretical human- ities closer to a more posthuman and movement-oriented perspective this chapter proceeds in three parts. Part one motivates and contextualises the shift in the theoretical humanities away from thinking about anthropocen- tric systems—starting with Deleuze and Guattari’s theory of assemblages. Part Two then provides a definition of and argument for a shift towards a movement-oriented perspective for thinking about politics in particular. Part three provides a concrete example of how this new perspective helps us to think about the contemporary border politics.

You can read the rest of my chapter here from Posthuman Ecologies: Complexity and Process After Deleuze, edited by Rosi Braidotti and Simone Bignall.

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